Nirbhaya (Edinburgh International Fringe)
A ripost (inspired the wrong word) by the Delhi rape in December 2012, five women give
their rea, personal stories of child abuse, rape, rape within marriage, chuild abduction and
being burnt by kerosene. Almost unbearably sad, most of the audience were
tearful. Just as shocking as the sexual incidents were their
testimonies about what it is like to experience daily groping and harassment in
Delhi, on buses, in the street. Dystopian Delhi seems like some circle of hell.This
is a fine piece of political theatre, a welcome change from most happy-clappy
Fringe performances. However, there are two problems with the piece.
First, it’s all testimony, powerful as that is – there’s
no further causal insight. It’s all WHAT and no WHY. I was desperate to know WHY a
city had become a place where women had become objects of sexual amusement. But here I had to
fill in the blanks myself – overcrowding, poverty, dysfunctional police force, lax laws, caste, religion, dowry, forced marriage? This is often a problem in theatre as it does not often deal well
with detail and a plurality of causes.
Second, the last (fifth) testimony was a harrowing account
of a gang rape in Chicago. I can see that they wanted to universalise or
internationalise the issue but in doing so they diluted the essence of the
story – its Delhi context 'the rape capital of India'.
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