The Works – advice banned but taken on Pointless, pointy thing, Bulgarian mystery and Sexy sixty
A rather ‘schoolmistressy’ introduction by the compere, who demanded
that we switch OFF our mobiles and that we should NOT offer advice, only
comments! In fact what these events need are more mobiles on (on silent), as Twitter,
through event hashtags, amplifies and spreads the word like no other medium.
Witness the fact that less than five rows were full and this was a free event.
Also, it became clear that advice was precisely what was needed and gratefully
received.
Pointless, pointy thing
First up, a man in a rather ill-cut suit, holding a pointy,
metal stick with a bulb and a wire at one end who subjected us to a sterile and
dull ‘soundscape’ (always a perilous word). His opening PowerPoint (yes
Powerpoint has entered the art world) was too wordy and too fast to read, and
it wasn’t clear what he was doing with his pointy stick, or the relationship
between his ‘conducting’ and what we were hearing. I hope he heeds the ADVICE of
audience, who pointed these things out in no short order. I wasn’t neither
moved nor convinced. As a comment on the financial crash (as intended) I
thought it was pointless.
Bulgarian mystery
Second up were a man and woman who laid the stage out with
flowers and gave a feisty performance of Bulgarian being translated (and
cleverly mistranslated) punctuated by some Dionysian dancing, to a song that
seemed to be the equivalent of John Lee Hookers’ BOOM BOOM BOOM. This was all
rather wonderful, intriguing and well-crafted. I would pay to see this.
Sexy sixty
Third up was a solo performer, Liz, a 60 year old woman who
challenged the audience with her pronouncements, songs, film and subversive
dances. The women in the audience loved her and rightly. This was different,
courageous political and meaningful. As an older man, it made me think of how
differently the sexuality of older, male performers is portrayed. The Rolling
Stones are to headline Glastonbury with Jagger and Richards hitting 70 and
Watts a stately 71! Iggy Pop has been on this tack for years. What makes it
difficult for women is a set of expectations, not least from women themselves –
look at the images in women-only magazines. The audience gave some great
insights as to how they felt about the work – all positive. Weaknesses? I think
the Hamlet skull was a bit too literal – but that’s a quibble.
This is a good format –to try snippets from full works out
on an audience – get feedback and move on. That’s why the compere’s rather
aloof advice about not giving advice (sic) was a problem. Advice is good. There
were some really knowledgeable people in the audience, not least experienced
performers, promoters and directors, who gave oodles of brilliant advice. Let’s
just call it feedback.
1 Comments:
Pretty much as I read it - not conversant in artspeak I took sitting through the artbollox comments from the audience (mainly other performers) as payment for an otherwise free gig (apart from the £4.50 a pint of not spectacular Hepworth's beer). The facilitator was far too bossy and knowing about the technology of the magic stick in the first act was exactly what we needed to know to try get a handle on the performance. Liz Aggiss was magnificent!
Post a Comment
<< Home